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In 1961, a skinny African American boy from Indianapolis arrived at Indiana University Bloomington determined to become a doctor. For the next three years, Lester Thompson kept a detailed, intimate diary of his journey to graduation. In Lucky Medicine, Lester returns to his long-ago journal and, with honesty, humor, and a healthy dose of rueful self-reflection, shares stories from his college years at Indiana University.

A strong collection of essays, At the Crossroads of Music and Social Justice studies the meaning of music within a community to investigate the intersections of sound and race, ethnicity, religion, gender, sexual orientation, and differing abilities. Ethnographic work from a range of theoretical frameworks uncovers and analyzes the successes and limitations of music’s efficacies in resolving conflicts, easing tensions, reconciling groups, promoting unity, and healing communities. This volume is rooted in the Crossroads Section for Difference and Representation of the Society for Ethnomusicology, whose mandate is to address issues of diversity, difference, and underrepresentation in the society and its members’ professional spheres. Activist scholars who contribute to this volume illuminate possible pathways and directions to support musical diversity and representation.

In Animated Film and Disability, Slava Greenberg analyzes over 30 animated works about disabilities, including Rocks in My Pockets, An Eyeful of Sound, and A Shift in Perception. He considers the ableism of live-action cinematography, the involvement of filmmakers with disabilities in the production process, and the evocation of the spectators’ senses of sight and hearing, consequently subverting traditional spectatorship and listenership hierarchies. In addition, Greenberg explores physical and sensory accessibility in theaters and suggests new ways to accommodate cinematic screenings.

January 15, 1959—a day that changed one family forever. White supremacists kidnapped and severely beat rural Alabama preacher Israel Page, nearly killing him because he had sued a White sheriff’s deputy for injuries suffered in a car crash. After “they” “got Daddy,” Israel Page’s children began leaving the Jim Crow South, the event leaving an indelible mark on the family and its future. Decades later, the events of that day fueled journalist Sharon Tubbs’s epic quest to learn who had “gotten” her mother’s daddy and why.

Explore how our more than three dozen scholarly journals play an important part in today’s increasingly global dialogue and feature essays, fiction, poetry, and art in a wide range of subject areas, including African studies, Jewish and Middle East studies, globalism, philosophy, religion, bioethics, folklore, electronic services, film, transnationalism, cultural studies, education, and environmental ethics.