The series is dedicated to disseminating the highest quality multidisciplinary scholarship focusing upon the intersections of music, nature, and place. The series seeks to publish books that employ a wide array of methodologies; address a broad range of topics, concerns, and tradition; and traverse boundaries between art, popular, and folk musics. The series welcomes studies that treat urban and rural issues and conditions, and crossovers between science and the humanities. The series aims to explore different modes of thought enabled by music.
The series is closed to new submissions.
