The Music and the Early Modern Imagination series invites the work of scholars interested in interdisciplinary approaches to early modern music - broadly defined as ranging from the 14th through the early 18th centuries. The series emphasizes studies that center on highly specific topics - single works or their equivalent, important concepts, single events, or important texts in music history - and considers them from a broad spectrum of approaches, from cultural history to specific critical modes like gender, politics, sexuality, patronage, subjectivity, voice, and a variety of literary approaches. Inquiries may be sent to series editor Massimo Ossi ([email protected]). Submit a book proposal through our online form here.
Edited by LINDA PHYLLIS AUSTERN, CANDACE BAILEY and AMANDA EUBANKS WINKLER
Contributions by LINDA PHYLLIS AUSTERN, Katherine Steele Brokaw, Jane Flynn, Graham Freeman, Christopher R. Wilson, John Milsom, Katherin R. Larson, Sarah F. Williams, CANDACE BAILEY, Alan Howard, Bryan White, Rebecca Herissone, AMANDA EUBANKS WINKLER, Suzanne Aspden, Michael John Burden and Bonny Miller
