A Closer Look

Living Dangerously: Reflecting on Elaine Freedgood’s “Banishing Panic”

Take a closer look at the scholarship behind IU Press Journals! Elaine Freedgood’s “Banishing Panic: Harriet Martineau and the Popularization of Political Economy,” from the Victorian Studies archives is available on JSTOR & Project MUSE. Below, guest author Mary L. Mullen explores the essay with fresh eyes in anticipation of celebrating Freedgood’s extraordinary career.

An Antidote to the Myth of Historical Progress: A Closer Look at JML 41.3

Take a closer look at the scholarship behind IU Press Journals! James Brunton’s article, “Whose (Meta)modernism?: Metamodernism, Race, and the Politics of Failure,” from the Journal of Modern Literature’s newest issue, is now available on JSTOR & Project MUSE. Below, James elaborates on poetry as an antidote to the noise of self-righteous social media posts and crisis-fueled cable news.

Hope is Hard Work: A Closer Look at JML 41.2

Take a closer look at the scholarship behind IU Press Journals! James Arnett’s article, “What’s Left of Feelings? The Affective Labor of Politics in Doris Lessing’s The Golden Notebook,” from the Journal of Modern Literature’s newest issue, is now available on JSTOR & Project MUSE. Below, James elaborates on why at this political moment it is important for readers to read Doris Lessing’s The Golden Notebook.

Decolonizing Music Education: A Closer Look at PME 26.1

Take a closer look at the scholarship behind IU Press Journals! Burke Stanton’s article, “Musicking in the Borders toward Decolonizing Methodologies,” from the Philosophy of Music Education’s newest issue, is now available on JSTOR & Project MUSE. Below, Author elaborates on the ongoing struggle for decolonization and liberation in music education.

Considering the “Nonidentical” and A System of Scientific Music Pedagogy: A Closer Look at PME 26.1

Take a closer look at the scholarship behind IU Press Journals! Stefan Orgass’s article, “The Nonidentical as a Problem of a Systemic Approach to Scientific Music Pedagogy,” from the Philosophy of Music Education Review’s newest issue, is now available on JSTOR & Project MUSE. Below, Stefan elaborates on the limits of a systemic approach in music education and research.

Social Justice in the Musical Classroom: A Closer Look at PME 25.2

Take a closer look at the scholarship behind IU Press Journals! Juliet Hess’s article, “Critiquing the Critical: The Casualties and Paradoxes of Critical Pedagogy in Music Education,” from the Philosophy of Music Education Review’s newest issue, is now available on JSTOR & Project MUSE. Below, Juliet elaborates on who can and cannot engage social justice work in the classroom.

Musical Competition and the Hidden Labor of Learning: A Closer Look at PME 25.2

Take a closer look at the scholarship behind IU Press Journals! “The Phantasmagoria of Competition in School Ensembles,” from the Philosophy of Music Education Review’s newest issue, is now available on JSTOR & Project MUSE. Below, Joseph elaborates on the philosophical question of how to measure student learning in music education, through the concept of competition and performance.

A Wizard of Silks and Tulle: ‘Phantom Thread’ and Charles Worth

In celebration of the Oscar-nominated film, Phantom Thread, revisit Abigail Joseph’s article, “’A Wizard of Silks and Tulle’: Charles Worth and the Queer Origins of Couture,” from the Victorian Studies’ archives, available on JSTOR & Project MUSE. Below, Abigail elaborates on the similarities between 19th century Parisian fashion designer, Charles Worth, and the fictional Reynolds Woodcock.

Refocusing Inter-American Studies: A Closer Look at JML 41.1

Take a closer look at the scholarship behind IU Press Journals! Vaughn Anderson’s article, “‘Revision of the Golden Rule’: John Cage, Latin America, and the Poetics of Non-Interventionism,” from the Journal of Modern Literature’s newest issue, is now available on JSTOR & Project MUSE. Below, Vaughn explores inter-American relations characterized by willful neglect, strategic ignorance, and carefully curated silence.

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