Blasting Out the Past in Milkman: A Closer Look at JML 47.2
April 8, 2024
By Daniel R. Adler, author of “Making Visible the ‘Mental Wreckage’: A Historical Materialist Reading of Milkman,” Journal of Modern Literature 47.2 (Winter 2024),…
April 8, 2024
By Daniel R. Adler, author of “Making Visible the ‘Mental Wreckage’: A Historical Materialist Reading of Milkman,” Journal of Modern Literature 47.2 (Winter 2024),…
January 9, 2024
By Sam Walker, author of “‘[S]ongs of allusion’: Sterling Brown, Harryette Mullen, and the Roots of Poetic Recycling,”[A1] Journal of Modern Literature 47.1,…
October 31, 2023
By Cory Austin Knudson, author of “Animality and the Limits of Discourse in Djuna Barnes and Georges Bataille,” Journal of Modern Literature 46.4,…
October 24, 2023
By Patricia Morgne Cramer, author of “‘Everyone chooses their love after their own fashion’: The Waves as a Modernist Symposium,” …
October 11, 2023
The trailer for Meghan O’Hara and Mike Attie’s In Country (2014) opens with archival footage of the Vietnam War accompanied by a voice-over whose source is quickly revealed to be that of a man dressed in fatigues….
September 25, 2023
Arab–Latin American Business Elites and the Politics of Global Imaginaries
Triumphant capitalism has in our time engendered a new global class that lives and works in a borderless world,…
September 13, 2023
From Film Quarterly, Fall 2023, Volume 77, Number 1
Bruno Guaraná
August 23, 2023
Patricia Zimmermann, Charles A. Dana Professor in the Department of Screen Studies, Media Arts, Sciences and Studies at Ithaca College and director of the Finger Lakes Environmental Film Festival died the morning of Aug….
July 31, 2023
By Sarah Coogan, author of “‘I am other I now’: Identity, Intertextuality, and Networks of Debt in Ulysses,” Journal of Modern Literature (JML) 46.3,…
July 25, 2023
By Cristinia Ionica, author of “‘For the Sake of Harmony’: Beckett’s Enactment of the Violence of Abstraction in The Lost Ones,” Journal of Modern Literature (JML) 46.3,…