The Politics of Dress in Somali Culture

"This work has two major themes: Somalis' long involvement with the outside world, and the subsequent growing tensions over male and female roles in Somali society. Akou (dress studies and fashion design, Indiana Univ.) begins with off-one-shoulder wrapped animal-skin clothing with amulets of early pastoral nomads, and woven robes worn by immigrant Middle Eastern Muslim urban dwellers. By the 13th-14th centuries, Chinese and Indian traders brought cotton and silk fabrics. Portuguese and Ottoman Turks attempted to control ports and trade. By the 19th century, European fashions (British, Italian, French) arrived with dominant colonial officials. After WW II, Somalia's 1960 national independence emphasized revival and update of indigenous clothing. USSR Cold War influences introduced secularized socialistic worker clothes. Then, due to economic problems, many Somalis had to take temporary jobs abroad, requiring adoption of local dress elsewhere. The 1970s-80s brought influences from Iran and Saudi Arabia with Islamic jihadist demands for extremely modest clothing, especially for women. The subsequent 1990s central government collapse resulted in a mass exodus to the US, where Somalis were pressured to maintain their own or accept Western styles. Akou provides English readers rare insights into the complexities of dress traditions continually interwoven with political conflicts. Summing Up: Highly recommended. All levels/libraries. — Choice"

~B. B. Chico, Regis University

"The Politics of Dress in Somali Culture is a monumental and an assiduous undertaking that deserves commendation, as the publication can serve as an important introduction to Somali history in schools and for the general audience. Above all, the 177-page book is so well written that it should be accessible to both scholars and students."

~Journal of African and Asian Studies

"[T]his remarkable study of Somali dress and politics does much to clarify both the Somali peoples history and their present predicaments."

~H-AfrArts

"The Politics of Dress in Somali Culture is a welcome addition to the growing literature on historical and contemporary dress practices in Africa and the diaspora. . . . Akou's case study broadly demonstrates the globalized nature of Somali dress both historically and today. It is well-written, concise, and touches on many issues that resonate with the history of colonialism, rise (and fall) of a nation state, dispersal into the diaspora, influence of Islam, gender, and creation of national and ethnic identities, making it suitable for course adoption and a general readership."

~Museum Anthropology Review

"[A]ny unbiased reader will conclude that this is an excellent book, written in a style that will benefit readers across the board. To a large extent, it should benefit scholars and students with cross-cultural and African research and historical interests. Above all, the author should be highly commended for her wonderful insights and excellent research skills."

~Africa Today

"Akou provides English readers rare insights into the complexities of dress traditions continually interwoven with political conflicts. . . . Highly recommended."

~Choice

"[This] book importantly addresses an often-overlooked cultural element and its role in religious and political change."

~Journal of Religion in Africa

"Politics of Dress in Somali Culture is a monumental and an assiduous undertaking that deserves commendation, as the publication can serve as an important introduction to Somali history in schools and for the general audience. Above all, the 177-page book is so well written that it should be accessible to both scholars and students."

~African and Asian Studies

"[This is] a study that examines clothing clothing and its relationship to political and cultural changes along a historical continuum primarily from the nineteenth century to the present.Spring 2013"

~African Arts

"Close studies of non-Western dress are few and far between. African examples are even more rare. This is a welcome addition."

~Linda Welters, University of Rhode Island