"...Highly recommended."
~Choice
". . . [these] contributors seek to de-Westernize concepts of modernity and modernism and to give voice to that' domain of the other' that was either appropriated by the European avant-garde for whom 'primitivists are modern while natives are not' . . . or simply regarded as falling altogether outside the modernist paradigm. Vol. 103.1 (Jan. 2008)"
~Peter Nicholls, University of Sussex
"The innovative essays in this collection emanate from conferences sponsored by the Modern Language Association. Thus, the book represents high-level academic literary criticism by scholars who go boldly where few have gone before. They explore and try to redefine 'modernism' and 'modernity' by setting their sights on aesthetic creativity inCuba, Brazil, Haiti, India, China, Taiwan, Lebanon, and South Africa—and, in a few instances, more familiar territory (England and the US). Confidently using the critical language of postcolonial analysis in discussing self-awareness, anxiety, freedom, and resistance to assimilation by a dominant ethos, the essays analyze features of rationalized racism, American Indian subjectivity, Haitian primitivism, 'Atlantic modernity,' Arab humanism, 'cabaret' modernism, and the construct of the gypsy. A few essays assess cross-cultural parallels, e.g., between E. M. Forster's A Passage to India and Arundhati Roy's The God of Small Things. Walter Benjamin, Jacques Derrida, and Jürgen Habermas are among the predictable guides. The book's tentative but fruitful concept of 'geo—modernism' offers a new way of understanding cultural continuities and conflicts through the lens of modernist literary representation. This is a book for seasoned literary adventurers. Summing Up: Highly recommended. Graduate students, researchers, and faculty.— M. S. Vogeler, emerita, California State University, Fullerton December 2006"
~Choice
