Acknowledgments
An Introduction to Moving Bodies
Choreographing History—Susan Leigh Foster
Resurrecting Historical Bodies
Toward a Universal Language of Motion: Reflections on a Seventeenth-Century Muscle Man—Stephen Greenblatt
Interval Training—John MacAloon
Bodily Interventions into Academic Disciplines
Tacit Knowledge, Courtliness, and the Scientist's Body—Mario Biagioli
Music, the Pythagoreans, and the Body—Susan McClary
Agency and History: The Demands of Dance Ethnography—Randy Martin
Moving Theory Across Bodies of Practice
Credit, Novels, Masturbation—Thomas W. Laqueur
Advertising Every Body: Images from the Japanese Modern Years—Miriam Silverberg
Bodies of Doctrine: Headshots, Jane Austen, and the Black Indians of Mardi Gras—Joseph Roach
Historians as Bodies in Motion
Modern Dance in the Third Reich: Six Positions and a Coda—Susan A. Manning
The Body's Endeavors as Cultural Practices—Cynthia J. Novak
Different Personas: A History of One's Own?—Lena Hammergren
Embodying Theory
Meditations on the Patriarchal Pythagorean Pratfall and the Lesbian Siamesia Two-Step—Sue-Ellen Case
Thirteen Ways of Looking at Choreographing Writing—Peggy Phelan
Bodies of Evidence: Law and Order, Sexy Machines, and the Erotics of Fieldwork among Physicists—Sharon Traweek
Bodies and Their Plots—Hayden White
Bibliography
Notes on Contributors
Index
