Seeing the Unseen
Arts of Power Associations on the Senufo-Mande Cultural "Frontier"
Published by: Indiana University Press
How do arts convey the existence of potent knowledge without revealing details of that knowledge?
In Seeing the Unseen, art historian Susan Elizabeth Gagliardi examines tensions between the seen and unseen that makers, patrons, and audiences of arts in western West Africa negotiate through objects, assemblages, and performances. Gagliardi examines how ambiguity anchors design of the arts, and she shows that attempts to determine exact meanings miss the point. Specialists across western West Africa construct assemblages, installations, and buildings that hint at the possibility of revelation, but full disclosure remains unattainable. Specific activities and contexts integral to the design and use of the works often leave no visible trace.
Through attention to many ways of seeing and knowing, Seeing the Unseen opens new possibilities for the study of so-called historical or classical arts of Africa grounded in the specificity of individual works, their making, and their reception. It also prompts us to reflect on how we know and what it means to know in any context.
Note on Names
1. Power Associations
3. Performers and Performances
4. Unseeing Audiences
5. Komo on Screen
"Seeing the Unseen's broadest impact will be its revisionist call for scholars to both recognize and abandon the structures of knowledge that have shaped the representation of African histories and worldviews, flattened African identities, and reinforced dangerous misconceptions of African lives as bounded by ethnicity, language, and tradition."~Victoria L. Rovine, University of North Carolina at Chapel Hill
Through the generous support of Emory University, Indiana University Press is pleased to make this monograph freely available as an Open Access monograph. To read or download, visit https://publish.iupress.indiana.edu/projects/seeing-the-unseen.