Foreword / Gina Marchetti
Introduction: Documentary Across Platforms
Part I: Platforms
1. Reverse Engineering: Taking Things Apart for the New Global Media Ecology
2. Ardent Spaces, Formidable Environments
3. Precious Places, Scribe Video Center, Philadelphia
4. The Hand That Holds Up All This Falling: The Works of Daniel Reeves
5. Cartographies of Impossible and Possible Worlds: The Photography of Michael Kienitz
6. Black Soil: Chernozem and Tusit in Ukraine
Part II: Reversals
7. Matrices of War
8. Blasting War
9. Digital Deployments
10. Public Domains: Engaging Iraq through Experimental Digitalities
11. Cambodian Digital Imaginary Archive: Genocide, Lara Croft, and Crafts
Part III: Histories
12. The Home Movie Archive Live
13. Throbs and Pulsations: Les LeVeque and the Digitizing of Desire
14. Just Say No: Negativland's No Business
15. Remixed and Revisited Black Cinema: Oscar Micheaux's Within Our Gates Live Project
16. Live!: Reconnecting the Histories of Live Multimedia Performance
17. Toward a Theory of Participatory New Media Documentary
Part IV: Speculative Engineering
18. Home Movie Axioms
19. Speculations on Environmental Sensualities and Eco-Documentaries
20. Speculations on Reverse Engineering: Algorithms for Recombinant Documentaries Across Platforms
Acknowledgements
Notes
Index